Selected books and book chapters, catalogue and magazine articles, peer-reviewed texts and editorial work

 

Art, Market and Finance. Critique, Speculation and Infrastructural Projections
Victoria Ivanova and Gerald Nestler. In: Routlegde Handbook to Critical Finance Studies.
Edited by Christian Borch and Robert Wosnitzer, Routledge. (forthcoming 2020).

Countering Capitulation: An arts-based, postdisciplinary approach to resolving non-transparency.
In: Retracing Political Dimensions: Strategies in contemporary new media art.
Edited by Oliver Grau and Inge Hinterwaldner. De Gruyter 2020. (forthcoming 2020).

The derivative condition, an aesthetics of resolution, and the figure of the renegade.
A conversation by Christian Kloeckner and Stefanie Mueller with Gerald Nestler.
In: Finance and Society, 4(1): 126-43, 2018. (peer reviewed).

Aesthetics of Resolution. A postdisciplinary approach to countering the technocapitalist black box.
In: Proceedings of the XXII International Conference of the Iberoamerican Society Of Digital Graphics (SIGraDi).
Universtity of Sao Paulo, Sao Carlos, 2018. (peer reviewed).

1948 Unbound. Unleashing the technical present. Technosphere 2015-2019.
Haus der Kulturen der Welt, Berlin, November 30 – December 2, 2017.

The Derivative Condition: A Present Inquiry into the History of Futures.
Doctoral thesis, 2017. Centre for Research Architecture, Department of Visual Cultures, Goldsmiths, University of London.

A-Symmetry - Algorithmic Finance and the Dark Side of the Efficient Market.
In: Risk Equipment. TECHNOSPHERE MAGAZINE, #9, April 2017.

Special Issue on Art and Finance
Finance and Society Vol 2, No 2, 2016, edited by Suhail Malik and Gerald Nestler. (peer reviewed).

MAKING OF FINANCE
Edited by Armin Avanessian and Gerald Nestler, published by MERVE Verlag, Berlin, 2015.
With contributions by Elie Ayache & Philippe Henrotte, Haim Bodek, Rishi K. Narang, Edward O. Thorp.
Introduction (in German)

SOCIAL GLITCH
Exhibition catalogue, eds. Sylvia Eckermann, Gerald Nestler, Maximilian Thoman, 2015.

continent. 4.4 / 2015
This special issue of the open web journal was the digital extension of the art project Social Glitch.
Eds. Sylvia Eckermann, Bernhard Garnicnig, Gerald Nestler, Maxmilian Thoman.

 

Towards a Poietics of Resolution
On embodied risk, contingent autonomies and renegade collectives as forms of technological and artistic resistance.
In: Journal for Research Cultures, Vol 1 / Issue 1, 2015. (peer reviewed).

The Renegade. An Aesthetics of Resolution.
Thoughts on a Techno-Imaginative Toolbox and its Potential for Art as — and beyond — Critique.
In: Proceedings of the 21st International Symposium on Electronic Art.
ISEA 2015, Vancouver, August 14-19, 2015. (peer reviewed).

 

MAYHEM IN MAHWAH: The Case of the Flash Crash; or, Forensic Re-performance in Deep Time.
In: Forensis. The Architecture of Public Truth. Ed. Forensic Architecture, published by Sternberg Press, Berlin. 2014.
In conjuction with the exhibition FORENSIS, Haus der Kulturen der Welt, Berlin, curated by Anselm Franke and Eyal Weizmann, 2014.
Presented work: Countering Capitulation. From Automated Participation to Renegade Solidarity.
High-frequency trading and the forensic analysis of the Flash Crash, May 6, 2010. Text, images and single channel video (11:25 min.), 2013-14.

SKEWED ENTRAILS. The Non-Space of Money or the Pseudo-Common Oracle of Risk Production.
in: Paratactic Commons, edited by Ekmel Ertan & Fatih Aydogdu.
Keynote at the Paratactic Commons conference, amber'12 Art and Technology Festival, Istanbul, November, 2012.

BUILDING RUINS
In: The New City Reader, Issue 9: Legal
Published as part of the exhibition The Last Newspaper, New Museum, New York.
A collection of text contributions by members of the Centre for Research Architecture, Goldsmiths College London. 2011.

A Scopic Mode of World Production.
Derivative money, technological capitalism and a recourse on artistic research. Conflict & Negotiations Seminar.
Centre of Research Archtecture, Department of Visual Cultures, Goldsmiths, University of London. 2010.

KUNSTFORUM INTERNATIONAL 200 and 201
Issues on Art and Economy, edited by Dieter Buchhart and Gerald Nestler.
Introductions to issue 200 and issue 201 (in German).

Arbeit am durchlässigen Raum.
Interview with Sylvia Eckermann and Gerald Nestler by Franz Thalmair, in Der Online Standard, 2009 (in German).

Der Mensch als Derivat.
Interview with Gerald Nestler by Dieter Buchhart, in the series "Gespräche mit Künstlern,"
Kunstforum International 197, June 2009.

DERIVATIVE NARRATIVE
The Global Market Is a Medium and Apparatus, and Creates Derivatives, 2006
editorial article in: RE.SONANCE.NETWORK.MISSION.007.
Catalogue pubished by sonance.artistic.network on the occasion of the re.sonance festival, Vienna, 2007.

Yx . fluid taxonomies - enlitened elevation - voided dimensions - human derivatives - vibrations in hyperreal econociety.
Artist book and reader on finance and economy as fields of artistic research(english/ deutsch). Published by Schleebrugge.Editor, Vienna, 2007
ISBN 978-3-85160-110-7.
Book launch at Salon für Kunstbuch, Vienna. Performative reading with Lucas Gehrmann, Wolfgang Höchtl, Monika Mokre, Gerald Nestler, Johannes Schlebrügge. Sound: future market music by Peter Szely with sound material from Gerald Nestler. Tonicum: Tono-Bungay. Daimonicus Oeconomicus. by Thomas Feuerstein & Dr. Thomas Seppi. Edition: enlite, silkscreen on wrapping paper, edition of 30, 2007.
Lucas Gehrmann, Review in EIKON Magazine for Photography and Media Art, No 60, 2007 (in German).